JOSÉ MANUEL RODRÍGUEZ CAÑIZARES

LUIS ORTIZ MARTINEZ

NEUS GIMÉNEZ AGULLÓ

Maison à Bordeaux
Reading Pod - The idea is to create a space in Maison à Bordeaux which will represent the acces to the knoledge - here represented by the acces to reading - for that pupose is generated a soft, flexible and ergonimic space integrated in the bookshelf that will allow the user to feel confortable and to find a place where books - so is knowledge - is all around him. This pod is specially created for those who are getting into reading, kids. This way the reading pod represents an intimate place to have a tight contact with reading but also a place to share with other users enriching the activity of reading where everyone can find his own stance.

Juan José Ruiz Hernández

Murat Cokceken

Aim is to transform a 20th centruy house into a 21st one. According to this, reserach about cultural facts was done to develop more information about how to transform the house due to the needs of the residents.
As a fact, in those proposals, rather than dealing with seating as a usual action it was aimed to have a progress to develop a design for 21st century's architecture.
As a result, ultimate feel of the nature for a 21st century house is the goal to be developed. In another way,
this might mean as turning back to the very beginning of building.

fabrizio vizzi

Maison Bourdeaux is a House Build for a Person in weelchair, where everything turn around an elevator, which allow you to reach point, unreacheable without.
One of this is the huge library.

The initial concept was the accessibility, the thinking that everybody can use everything, so i decide to divide this big unreacheable library in some little design libraries, and divide them by funcion:

-In the kitchen i think to put a moveable cooking-table, the height of this starting from 70 cm to 90 cm. Inside there are 2 library which contain all the cooking books.
-In the bedroom the headboard of the bed was thought like a library. There are also two little “reading desk” that can be moved up and down, or can be a desk for putting your laptop.
-in the studio i put a desk that is thought to has all you need for your study: there are three drawers which can contain books or what you need, a big plane and a little higher plane which can be moved back and forward on the table, there is also a magazine holder on the right side.
- The hammock is the "jolly piece" to put where you want; a place to read in relax, it has everything you need, a light and an integrated library.

Maison bourdeaux is perfect like this, so the idea is to build something that doesn't change it, but to insert some design idea to integrate with it. 
So with little changes the house can change the function, but not the form. 

Macu de la Vega Cartagena

En la nueva Villa Bollen, una de las acciones más importantes que se requiere es la de trabajar. Por ello el lugar de trabajo tiene un papel fundamental y debe estar perfectamente iluminado.

In the new Villa Bollen, one of the most important requires is working. So the workplace is a vital and must be perfectly lit.

En el primer detalle propuse una cenital, en el que el paso de luz era inmediato, no había ningún obstáculo a su paso. El espacio mantienen un nivel de semioscuridad que contrasta con el haz de luz procedente de arriba.

In the first detail proposed a zenith light, in which light was passing away, there was no obstacle in its path. The space maintaining a level of semi-darkness that contrasts with the light beam from above.

Repensando la idea, en esta ocasión  estoy trabajando la idea de la luz de otra manera. Ahora la luz incidirá desde varias aberturas, cada una de ellas con distintos niveles de luz. Se podrá regular la luz y abrir todas las aberturas o no, dependiendo del interés de cada momento.

Rethinking the idea, this time I'm working the idea of light differently. Now the light will influence from multiple openings, each with different light levels. It may regulate the light and open all openings or not, depending on the interest of the moment.

Partiendo de un techo traslúcido en su totalidad, he creado un juego de paneles que permiten matizar y modificar los efectos de la luz natural. Los paneles de madera se deslizan mediante guías colocadas en las dos paredes enfrentadas. De esta manera dispondremos de la luz que queramos en cada momento.

Luz = situación del sol + movimiento de paneles

Starting from a fully translucent roof, I created a set of panels that allow refine and modify the effects of natural light.Wood panels slide through guides placed on two facing walls. This way we will have at each time the light we wish.

Light= Position of the sun light + movement panels

JOSE DÍAZ MOLLÁ

Naked house

Bonsai is a centuries-old form of art, but in this case, it’s using as a therapy. It’s neces­sary studied the space that the old man may need and know his limitations of move­ment and agility.

One of the most necessary things for the care of bonsai is the amount of sunlight received. Not all bonsai need the same amount of light or can't receive direct sunlight for a long period of time.

El Bonsái es una forma de arte centenaria, pero en este caso, es usada como terapia. Es necesario estudiar el espacio para que el anciano puede necesitar y conocer sus limitaciones de movimiento y agilidad.

Una de las cosas más necesarias para el cuidado de los bonsáis es la cantidad de sol recibida. No todos los bonsáis necesitan la misma cantidad de luz o no pueden recibir rayos directos del sol durante un periodo largo de tiempo.

Analysis of the incidence of sunlight. First detail.

Second detail.

To meet the needs of UV of the different bonsai we need to control the time that affect it. Therefore, a gap is created in the box structure with a wood raised so that its opening is adjustable and its focus to determine where the most energy will be concentrate.

This takes practically entire length of the box and leaves space for maintaining the structure and configuration of the prism.

Para satisfacer las necesidades de radiación cercana a la ultravioleta de los distintos bonsáis necesitamos poder controlar el tiempo que inciden sobre ellos. Por ello, se crea un hueco en la estructura de la caja con una carpintería planteada de tal manera que sea regulable su apertura y poder determinar donde se concentrará la mayor cantidad de energía.

Esta ocupa prácticamente toda la extensión de la caja y deja espacio para que se mantenga la estructura y la configuración de prisma.
En la casa original el cubo se puede sacar al exterior y una vez allí podremos girarlo sobre si mismo para mantener, junto a la apertura de la ventana, la radiación necesaria.

Constructive detail

The path of the sun is analyzed to carry out a transformation of the hou­se. If we see the sun angle over time and the position, we can find the prism that create the intersection of its rays with the cube.

With this, we can design specific furniture for every variety of bonsai, according to the light they need.

La trayectoria del sol es analizada para llevar a cabo una transformación de la casa. Si vemos que el ángulo del sol a través del tiempo y la posición, Podemos encontrar el prisma que crea la intersección de los rayos con el cubo. 
Con esto, podemos diseñar un mueble específico para todas las variedades de bonsai, de acuerdo con la luz que necesitan.

http://www.laveneciana.sggs.com/la_veneciana/images/FCK/Vidrio%20y%20radiacion%20Solar(1).pdf

http://www.envtox.ucdavis.edu/cehs/toxins/SPANISH2/ultravioletrad/uvhealtheffects.html

http://www.aemet.es/es/eltiempo/prediccion/radiacionuv/ayuda

Esther Moreno Romero de Ávila

When we rewrite the history of Villa Bollen, we invented a number of needs that this family needs. Both parents and children of this family were lovers of nature (especially tulips) and tried to spend as much time as possible to its cultivation, care and observation because this will bring great peace of mind.

As the children now were architects and spent most of the day working in his office, had no time to dedicate to nature.

With my first detail, after studying the growth and maintenance of these plants, I created a mechanism similar to an elevator / planter in introducing these plants. Over the days, from planting to grow tulips, the elevator going down his height, so that the son from his work chair would always direct eye flowers, giving this club and a possible disconnection their work.

Cuando reescribimos la historia de la Villa bollen, nosotros inventamos una serie de necesidades que esta familia necesita. Tanto los padres como los hijos  de esta familia eran amantes de la naturaleza (sobre todo de los  tulipanes) e intentaban dedicarle el mayor tiempo posible a su cultivo, cuidado y observación porque esto les transmitía gran paz interior.

Como los hijos ahora eran arquitectos y se pasaban la mayor parte del día trabajando en su despacho, no tenían tiempo para dedicarse a la naturaleza.

Con mi primer detalle, tras estudiar el crecimiento y mantenimiento de estas plantas, yo creé un mecanismo similar a un ascensor/jardinera en el que se introducen estas plantas. Con el paso de los días, desde la plantación de los tulipanes hasta su crecimiento, el ascensor iba bajando su altura, de modo que el hijo desde su silla de trabajo siempre tendría como visual directo las flores, proporcionándole esto bienestar  y una posible desconexión de su trabajo.  

After rethinking the idea, and the reworking of the detail, I want to connect with nature workspace more daring to put plants inside the office. In addition, the office often come people do not know if the plants are to your liking.

Therefore propose a new mechanism, in which one wall of the office, is folded at the moment when the child desired, leaving the clearance become a kind of balcony.

The nature come into the house not only visually, but also may feel the smell, the air, producing true wellness.

Tras repensar la idea, y con la reelaboración del detalle, quiero conectar la naturaleza con el espacio de trabajo de forma más arriesgada que colocar plantas en el interior del despacho. Además, al despacho acuden a menudo personas que no sabemos si las plantas sean de su agrado.

Propongo por eso un nuevo mecanismo, en el que una de las paredes del despacho, se plegada en el momento en el que el hijo lo desee, quedando el despacho convertido en una especie de terraza. 

La naturaleza entraría en la casa no solo visualmente, sino que también se podría sentir el olor, el aire, produciendo verdadero bienestar.  

La nueva aportación de la casa, consiste en una pared móvil, que se mueve a través de un mecanismo de barras de hierro. La pared puede formar 90º, de forma que se convierte en un balcón que da al exterior. También puede quedarse horizontal con respecto al suelo, pudiendo así tocar la naturaleza.

Además, por consejo de mis compañeros, he diseñado una especie de toldo enrrollado en la parte superior de la fachada de la casa, para cuando las condiciones atmosféricas no sean buenas y el habitante quiera seguir disfrutando de la naturaleza. El toldo o cubrimiento es de un plástico muy fino y transparente.


The contribution of the new house, consists of a movable wall that moves through a mechanism of iron bars. The wall may be 90 ° so that it becomes a balcony facing outside. It can also remain horizontal to the ground, thus being able to touch nature.

Furthermore, on the advice of my colleagues, I designed a sort of awning wound on the top of the front of the house, so when the weather conditions are good and the inhabitant wants to continue enjoying nature.
The sheet or a plastic coating is very thin and transparent.

Alba M Castillo M

Para la creación del detalle de la casa se me ocurrió plantear un tipo de bodega en el que la conservación de las botellas fuera óptima a la vez que práctica, dándole a las botellas cierta inclinación para que el vino humedeciera el corcho a la vez que se pudiera ver fácilmente el etiquetado.

Tras reflexionar sobre la casa pensé en conectar directamente la viña de la ladera con ésta y utilizar esa especie de túnel o cueva como bodega; así, el detalle constructivo se trata de una sección de este túnel en el que podemos ver la disposición de las botellas en su interior.

To be the technical detail of the house I thought in a hold type in which the conservation of the wine bottles becomes the best; I wanted giving to the bottles a good inclination for the wine cork should always be wet as well as we can see the label of the bottles to know easier the name or type of the wine.

After reflecting on the house I thought to connect the vineyard directly with it and use that kind of tunnel or cave as a warehouse; so the technical detail is a section of the tunnel in which we view how the bottles are posted inside the warehouse.

Paco Mejías me dijo que debía pensar más en cómo hacer la bodega para situarla en esta casa en concreto y no en simplemente una bodega que puede ser utilizada en cualquier otro sitio; sin embargo, yo creo que la conexión entre la viña y la casa ya hace que la bodega sea propia de ésta, por lo tanto me gustaría plantear concretamente esa conexión.

Paco Mejías said to me that I should think how to be the warehouse to can put on this house, I shouldn´t make only a simple warehouse which can be used anywhere; however I think that the connection between the vineyard and the house makes this warehouse can be only for this house, so I want to propose that connection.

The most important evolution of my proposal has been the situation of the tunnel which connect the vineyard with the house; now, this connection is through the ruins, making the underground becomes metaphorically over time creating a ‘time warp’ after which we see how mature the wine since it is bottled up until it acquiring the force needed to be tasted.

La evolución más significativa que ha sufrido mi propuesta ha sido la situación del túnel que conecta el viñedo con la casa siendo ahora a través de las ruinas, lo que hace que el subterráneo se convierta metafóricamente en el paso del tiempo creando un ‘túnel del tiempo’ tras el cual vemos cómo madura el vino desde que se embotella hasta que adquiere la fuerza necesaria para poder ser degustado.

Tatiana Ferrer Sarmiento.

FIRST DRAWING.

Originaly the detail drawing was about some modifications in the painting box. These were a window in each wall of the cube an two storage.

SECOND DRAWING,

 Then, the drawing was more focused on the drawing table. As the type of paint used to be used were watercolors there was unnecesary to have to much inclination on the paper, but it is to much comfortable to have some, although it is necessary to can leave it without any inclination in order to dry without slipping paint.

FINAL DRAWING

    This system allows users to customize the drawing medium height and inclination.

   The cube has a window that allows the entry of natural light, when the user is about to paint only has to swing the window and place it in the position that is most comfortable. Due to a security system incorporated in the table bowler will remain fixed in the position that the user wishes.

    Being a transparent table could be placed under a lamp to use this also as a tracing table.

Este sistema permite al usuario adaptar el soporte de dibujo a la altura e inclinación necesaria.

El cubo tiene una ventana que permite la entrada de luz natural, cuando el usuario se dispone a pintar solo ha de bascular la ventana y situarla en la posición que le resulte más cómoda. Gracias a un sistema de seguridad incorporado en el bombín la mesa se mantendra fija en la posición que el usuario lo desee. 

Al tratarse de una mesa transparente se podría ubicar una lampara bajo de esta para utilizarla también como mesa de calco.

Manuel Sempere Díaz

First Detail:

En el primer detalle, a parte de que el sistema que producía el sonido estaba bastante simplificado, estos no se podían orientar a placer del propietario de la casa para tratar de modificar el sonido, ni tampoco tenían la posibilidad de ser cerrados mediante algún tipo de mecanismo, impidiendo la elección del dueño respecto a si se quiere o obtener este melodía, e incluso nos impide variarla mediante el cambio de orientación.

Esto lo hacía bastante rígido, en cambio para el nuevo detalle, se va a intentar solucionar este problema tanto perfeccionando el sistema de obtención del sonido, haciendolo más eficiente y permitiendo una mejor ventilación en la ranura, como dotándolo de la posibilidad de rotar estos artilugios a placer, permitiendo el juego del usuario con los distintos sonidos y dandole además la posibilidad de silenciarlos en un momento determinado.

Adjunto algunos bocetos previos donde muestro más o menos la idea, y el mecanismo que tengo pensado para hacerlo, a pesar de que al principio pensé en una simple palanca para permitir el giro, esto quedaría demasiado rudo, por lo que pensé en este mecanismo de yugo escoces ( http://www.youtube.com/watch?v=IiqR8fEEnzA ) para mediante un cómodo movimiento circular permitir al usuario interactuar con los sonidos.

In the first detail, part of the system that produced the sound was quite simplified and this could not been moved by the owner of the house to try to change the sound, and he hadn’t the possibility of being closed by some mechanism, preventing the owner's choice, and even prevents us vary it by changing orientation.

This made ​​it quite hard, however for new detail, I’m trying to solve this problem improving the system of obtaining sound, making it more efficient and allowing better ventilation in the slot, and giving it the ability to rotate these gadgets, allowing the user to play the various sounds and besides giving the possibility to silence whenever he wants.

I upload some preliminary sketches about the idea, and the mechanism I have in mind to do it, even though at first I thought of a simple lever to allow rotation, it would be too rude, so I thought of this mechanism Scotch Yoke ( I don’t know if this is the translation, but look at the video if you don’t know what it is) ( http://www.youtube.com/watch?v=IiqR8fEEnzA ) to allow that the user interacts with the sounds easily 

En cuanto a concepto creo que tengo claro lo que quiero conseguir, pero decidme que os parece. Donde tengo mas dudas es en lo constructivo, nose muy bien como hacer la transmisión de este mecanismo, habia pensado con unas palancas o con engranaje.

Bueno seguimos

 I think I have a clear idea about I want to achieve with it, but tell me what you think. I have more questions about the constructive way. I don’t know what I should have to choose, if gears or levers.

Keep working

E:1:5    Sección cerramiento

The theme of the original detail was the creation of a construction detail for Legé house in order to combine two concepts, music and nature, making the former is generated by the second, producing a series of tunes from wind. In this second detail, we go a step further in terms of adding a third variable, make available to the user control of the interaction that we have mentioned above, may vary it at will and greatly improves the system that translates the wind in melody.

Eduardo González

1st idea.

My detail is a air chamber of 1 meter and a double protection UV glass because UV is so dangerous for the wine when it is inside the bottles. This bottles are in a cave, near the ruins of the Baiao house and you can enter to this cave from the ruins.

Mi detalle es una camara de aire de 1 metro con una proteccion doble de vidrio contra los rayos UV, ya que estos rayos son muy perjudiciales cuando el vino está dentro de las botellas. Dichas botellas están situadas en una bodega, junto a las ruinas, a la cual se accede a través de estas.

Paco Mejía said to me that this detail doesn't have precission, so introduce the direcction of the UV ray is a possible solution to do an accurate draw.

Paco Mejía, me corrigió diciendome que el detalle no era del todo preciso, ya que, estaba bien que fuese un detalle que cuidase el vino, pero que no se entendía el por que lo protegía en el dibujo, asi que encontramos que una manera de hacerlo más explicito sería incorporar a este la dirección de los rayos UV.

The next draw can have a better composition (with a plant and another section) and more directions ray of the different seasons of the year, like put on Dec, Jun, Sep/ March.

El siguiente dibujo aportará una planta y otra sección y tendra una mejor composición con otra direccion mas de los rayos para diferentes epocas del año.

Eduardo González Vázquez

The last detail includes all the developments that have been suffering from the first, which did not include UV rays. In the second one ray detail appeared and remained vague, so I decided to fill it with another 2 more (solstices and equinoxes) and including the plant and a cut for complete the draw which also explain the winery added.

El último detalle engloba toda la evolucion  que ha ido sufriendo desde el primero, en el cual no se incluía los rayos UV. En el segundo detalle apareció 1 rayo y seguía siendo impreciso, por lo cual opté por completarlo con otros 2 mas (solsticios y equinocios) e incluyendo ya la planta general asi como una sección mejor acabada, donde explicase también la bodega añadida.

Rubén Martínez Sanchís

First Detail

One of the cardboard boxes gets modified to create a small reading room by removing one of the walls and the top of the box. By adding one shelf and one chair to the space, it acquires a completely different program, and now the father can enjoy his books here.

                                          First detail section

Re-thinking

The new detail comes from a re-thinking process. I saw that with the first detail the father could only enjoy the reading when the house was empty, because it's an open space and maybe if his wife was meetting with her friends the conversation sounds could disturb him.
So I decided that the space had to be enclosed, but without losing the visual permeability of the house. We all know that reading is an activity that requires silence, so we can focus on the history we are trying to read. The new box maintains its top and one of the walls changes its position. Now we find two wide methacrylate panels -glass panels would make the box to heavy to be moved- that insulate the space without losing the light provided by the translucent walls of the house.

Second Detail

Final Detail

With the help of people who posted comments in my Details, I reached the conclusion that, keeping the modifications of the Second Detail, the box should be able to acquiere a major level of intimacy when the user requested. I think that the most effective solution is a curtain system with a translucent fabric, which allows the light to cross through it, but not the image.

On the other hand, I also saw that to be completely operational by night, the box should be provided with some kind of enlightenment. As the box is moving into the home space, a conventional system doesn´t work since the cable would make it impossible. So, taking advantage of the building´s unique-translucent enclosure, I propose a small solar panel set in one of the walls, which will store that energy to be used by a LED bulb by the night. 

Finally, this bulb goes inside an extensible lamp, so the user can adapt it to the accurate height.

Dudley Jones

First Detail Section...

 Preliminary section overview - The books create the library. The idea was initially that rather than a structure for a library or an installation of sorts; the client or occupant of the building would be free to choose how their activity of reading was to be carried out, allowing them to use the books to create the environment that they felt appropriate for them. It was intended to be both flexible and generate freedom.

This is the first detail, it was intended to show the floor meeting the void at which the books had been used to create seating for the person reading. Although, since then much has changed to develop the concept. The level of detail will also be improved...

Second drawings soon ...

Overview of the grand scheme in section...

Maison a Bordeaux

Plan of the concept; activity is reading formulated from the cultural concept of accessibility.

Section Overview...

Section 1, the internal reading space...

The place to create your own reading environment...

The concept originated from accessibility and the need to access information, reading being the important factor here. The original propose was for a design whereby the client themselves are in control of the reading environment that they create using the books as a building material. However, this on first thought was seen as too theoretical. Therefore, I proposal a spiral book shelf that spans the height of the void in Maison a Bordeaux, like a huge column so books can be accessed anywhere. The library form, consumes the client within it with the suspended walkways. Like with the original concept I have allowed space for people to still create their preferred reading environment on the outside using books to create a seat or for children build a 'den' out of books to read in...they books are the building fabric of the imagination and reality.

Sergio Navarro García

First Detail.
The continuity of the soil, and the importance of this makes life in Japanese culture, this is done in everyday life, and the familiar habit of sitting on cushions on the floor. Uniting in one Japanese tradition and westernization of this, we propose a "puff" fully integrated into the ground. In this way it could be much more comfortable to sit on a cushioned surface to sit directly on the roof. This puff is proposed for an area of ​​the house engaged in the meeting, after dinner stage in which visitors to the house guests to chat. The materials for this intervention would be an insulator to protect the original flooring and carpet, filling the hole with ball eps.

La continuidad del suelo, y la importancia de la vida en este hace que en la cultura japonesa, se realice en el la vida diaria, y la conocida costumbre de sentarse sobre cojines. Unificando  en uno la tradición japonesa y la occidentalizacion de esta, se propone un "puff"integrado íntegramente en el suelo. De esta manera el podría  ser mucho mas cómodo sentarse sobre una superficie acolchada que  sentarse directamente en el suelo. Este puff se propone para un área de la casa en la que se dedique al meeting, fase postcena en la que los invitados visitantes de la casa para charlar. Los materiales para realizar esta intervención serian un aislante, para proteger el suelo original, y una moqueta, rellenando el hueco con bolas de eps.

Second Detail
After a second interpretation of the first detail, we note that, by including the small mounds breaks ground continuity. Therefore a solution is proposed which has the same functionality above and that continuity is not lost. We therefore propose a changing system, and camouflaged, thus a camouflaged trapdoor in the floor of the hollow puff, now, for better camouflage, the system changes, and now comprises an air chamber, which is filled air injected by a pump that is situated on the outside of the house. Thus, when in use, do not need to be present, and can move the cubes on the floor.

Tras una segunda interpretación del primer detalle, observamos que este, al incluir los pequeños montículos  se rompe la continuidad del suelo. Por lo tanto se propone una solución  que tenga la misma funcionalidad anterior, y no se pierda dicha continuidad. Por ello se propone un sistema cambiante, y camuflado, por lo tanto una trampilla en el suelo camufla el hueco del puff, que ahora, para un mejor camuflaje, el sistema cambia, y ahora se compone con una cámara neumática, que se rellena de aire, inyectado por una bomba que se sitúa en la parte exterior de la casa. De esta manera, cuando este en desuso, no sera necesario que este presente, y pueda desplazarse los cubos por el suelo.

"General distribution of the installation"

"Technical Detail". Filling process and 

deformation of puff

The main function is to create a changeable, continuous and can be camouflaged. The metal frame that holds the pavement, includes an anchoring system for hiding parts installation. Each piece equals a poof, least three hiding inside a futon. They are made with vinyl. Installation is completed by individual air valves, to suit the weight they will hold. The opening convinations the puff can be infinite, it is not necessary to remove all the pieces, to open a single puff.

Claudia Carrisi

The harvest time is very important in the production cycle of the wine, it reflects almost a sense of tradition of this activity so long-lived. You need the experience and the ability to understand what is good for a good wine and what is not. For the harvest, which is the initial stage of the production of wine, you have a few tools, including the box to gently store a bunch of grapes. My initial idea was to use these boxes as chairs when not needed, thus becoming useful. I wanted to highlight another important aspect of the harvest, which is the value of collective moment. In fact, the sense of wine for the House in Baiao was to make the activity as element that ties the family. In particular, this time coming in the autumn, is one of the  more fun, but also tiring of wine. 

So the detail has evolved at a time when I wanted to create some real islands where you can rest during the grape harvest, using the wooden crates as a design element. You can sit on the boxes by placing them one above the other, the same to create the tables where you can taste the grapes or refresh. So the family can enjoy the pleasure of the vineyard, the landscape and clean air. The vineyards are located along the terraces, connected by stairs.

The grape harvest is a very important moment in the process of wine production, main activity of the House in Baiao. My intervention aims to enhance this moment, in particular its ability to bring people together, because the whole family can participate in the collection. This activity is very busy, so I thought to make it more enjoyable to create islands surrounded by vineyards, where you can relax or enjoy the freshly picked grapes along with all the participants. The furniture will be made simply by wood boxes used for the collection, but think in a way that they fit both overlapping that by laying them on the side of the other. the terraces are connected by stone stairs to the wooden platforms where you can create your own space.

Elif Araç

First Detail

Explanation of First Detail

The cause of focusing on the terrace part of the whole house is that under the thema of coexistence, the part is most interpenetrate section between nature and architecture. The approach of first detail is based on adapting users as required to evolution. According to criticism which came for me, I propose a new detail of handrail which is intagrated with philosophy of music. Besides, when the process of application, the following thought should have fit the purpose of  cultural adaptation or re-reading story as to evolution.

New Detail

Explanation of New Detail

To be adapted of nature to house and generating the music which are the primary criterions of design. I designed a new detail of handrail from glass to nature creates sounds. In Cap-Ferret which is location of house in France, the main wind is mistral which comes from sea. In other saying is from southeast to northwest. When the air current passes within the special design of piece of handrail, the sounds occur as like as music of Africa. Because, the pieces are designed like basing upon one of traditional enstruments of Africa whose name is 'ivory horn'. These pieces are put in rectangular glass handrail with regular spacing. As a conclusion creating music with special solution complete the idea of coexistence again.